Shriekback: Lyrics to
"Care"
Care:
Lined Up / Cleartrails
/ Hapax Legomena / Petulant
/ Lines From The Library
/ Brink Of Collapse / Sway
/ Into Method /
Evaporation / In:Amongst.
All songs published by EMI Music Publishing Ltd.
All songs written by Dave Allen, Barry Andrews and Carl Marsh
except 'Hapax Legomena' co-written with Carlos Ascuitti, and
'Into Method' co-written with Ian Caple.
Note that 'Hapax Legomena' is indecipherable (with vocals - as opposed
to lyrics! - by Carlo Ascuitti), and 'In:Amongst' is an instrumental.
Also, US copies of this album included 'Accretions' (for which, see the
album 'Tench'), and 'My Spine (Is The Bassline)' (which will be included
in a page of miscellaneous lyrics, to follow).
Lyrics reproduced with permission from members of Shriekback.
Transcribed by Phil Hetherington, with thanks to Barry Andrews and
Carl Marsh for answering queries etc.
I am also indebted to Ron Sylvester and John Hilgart (and anyone
else I've forgotten) for their contributions towards transcribing
'Cleartrails'. It all helped! Eventually Carl found his lyric sheet
(with some prompting from Barry) - thanks guys.
- Lined Up
Tired of all this crawling around
Realising the joke was on us
Reaching out to the obvious
Starting with an answer not a question
Our most acceptable businesses
All aligned in just one direction
Organised on the same lines
With one face - one side
We got all lined up
We got all lined up
We got all lined up
All lined up
All lined up
Back at the all night party
We're getting clearer all the time
Refined to one shape - frozen like crystal
It has the symmetry of perfect design
One line leads to another
They cross at the corners run straight at the sides
It reads the same way in any direction
Two red circles and a thick black spine
We got all lined up
We got all lined up
We got all lined up
All lined up
All lined up
Let it fall into place we could tie it to a tree
We could point it at you we could make it a habit
We could leave it outside or we could give it our food
Understand it or we could ignore it
Holding all our past in the one hand
We showed those people in a way they understand
Shiny little eyes on a big red bus
The ones we point at work for us
One sharp point between distinction
Going this way for X amount of time
Frame - line - and convergence
From the first to the final
This intention is mine
We got all lined up
We got all lined up
We got all lined up
All lined up
All lined up
(repeat chorus etc.)
- Cleartrails
Desire turns on
Too late to turn around
This graph we plot
Each point higher
The diagram of what we've got
The hysteresis curve we plot
The healthy future, perfect past
We're catching up, we're gaining fast
Legend or war wound
He's bought drinks, it slows him down
Red lines, sharp nails
There's no pain but cleartrails
Gather wood, prepare for burning
Leaving fast but soon returning
Bored as Christ with endless crosses
Close the vote and count the losses
This is the face that we show the world
This is the face that we show the world
This is the face that we show the world
This is the face that we show the world
This is the face that we show the world
This is the face that we show the world
Hawser, tendons
Hot skin, the bones bend
Ready all over
Here comes the moment
Fighting debts and obligations
Hands on deck, all crew to stations
Paradigm and observations
History is in the making
This is the face that we show the world
This is the face that we show the world
This is the face that we show the world
This is the face that we show the world
This is the face that we show the world
This is the face that we show the world
Looking up and running round
We're twitching at the slightest sound
Things that spent some time within
Are crawling now upon the skin
The light will in, the truth will out
This is no time for fear and doubt
A healthy future, perfect past
We're catching up, we're gaining fast
- Hapax Legomena
(indecipherable)
- Petulant
They smile like nothing happened
They look out on the sea
The waves go splash & they don't care
These hard facts indicate to me that:
We're all built the same way -
Subject to the same laws
We all got our influences, I say: why shouldn't I?
We are not lovable in the usual way
The sun shines down on us this day & everyday
We are the pretty boys - self critical - self employed
I feel dangerous & I say: why shouldn't I?
They love this kind of detail
They ape the things they see
This all links up with what I knew -
It all seems sinister to me
My sacred mess my saving graces?
Insufficient alibi - I reason: why shouldn't I?
Some going out some coming round
Some moving up - some slowing down
We learned something back there
Something that licks it's way in - religiously
And I say: why shouldn't I?
WIR REKT UR LAB YIN OO SALOP
(repeats and fades)
- Lines From The Library
Write about heat and then tell Icarus
He got too close
Sucked in the engine of holy ignorance
How could he know?
No such excuse for those who come after him
- Carbon alloy
I've heard say:
"The printed word and the paper it's printed on
- Not worth anythin'. In the time that it takes
To write about doing it, it could be done."
I say 'no' in the oldest formula:
"Fuck this, and fuck you"
If it's good enough for Geoffrey Chaucer
It's OK by me too.
Latent energy in lines of lettering
- One dot a full stop
Swing on a phrase for fresh mobility:
"Mud chokes no eels"
The past and the present, the cheque and the counterfoil
Fill in/tear off
Prop up a point with some lines from the library...
This week's maxim:
"In for a penny, in for a pound"
- Information
- Brink Of Collapse
I say this, because of that sign
I can't say that word, because of Indian money
There's a light in their eyes, that I mistrust
And I can't leave you alone there are so many reasons
Tight hard shapes, meaning only one thing
You know it all mounts up, nothing left to inhabit
We stay quiet missing nothing at all
This is the real life story about to realise something
And I'm almost there, I'm almost ready
See the light shape in the sky
Feel the door's shape in a dark room
And I'm almost there, I'm almost ready
See the light shape in the sky
Feel the door's shape in a dark room
Quiet fears, for some of the time
Apparent resistance, push ahead with the worry
And I've said this before
A bad case of understanding
If I said this once I would have made excuses
And I'm almost there, I'm almost ready
See the light shape in the sky
Feel the door's shape in a dark room
And I'm almost there, I'm almost ready
See the light shape in the sky
Feel the door's shape in a dark room
And I'm almost there, I'm almost ready
See the light shape in the sky
Feel the door's shape in a dark room
And I'm almost there, I'm almost ready
See the light shape in the sky
Feel the door's shape in a dark room
- Sway
Sodium pentathol talking
Sit in the chair with the lights on
The tide of the talk and the evening
Tickles the ear like a cat's tongue
See in from the outside the window
Frames them in yellow and they go
In and out of a grey zone
They lean on the law and it bites back
No sway
This way
No sway
This way
Plessey business is no messy business
Just takes 'em over and sub-divides
Clean as a q-tip as quiet as nylon
One more hand then you got eyes on
Sway
Their way
Hold sway
This way
Boldly embracing the TV
Talking a mile to the minute
Charge 'em with trading the car keys
Just watch 'em try and deny it
We're at the centre of all this
Enjoying the sight and the salt taste
Pulling the party to pieces
Culling the last of the species
Sway this way and it makes sense
Not super-analytical and hyper-tense
You never get to celebrate undergoing therapy
Try and make the chemistry somethin' that it ain't
Go sway
This way
Sway
This way
Sway
This way
Sway
This Way
(repeats)
- Into Method
Hey everybody is on one drug or another
They are laughing in the street and they are running out of cover
In the short term where we live we say that really everybody
Falls from one day to another no insurance playing mother saying
Hoochie koochie koochie koochie hoochie koochie koo
Hoochie koochie koochie koochie hoochie koochie koo
Never mind there are structures of protection of investment plain pretence
Compressing time now every good girl loves a soldier common sense
Where there's bright labels there's elections they are symptoms of defense
They say Levi Yves St Laurent Fiorucci Gucci shoes they say
Hoochie koochie koochie koochie hoochie koochie koo we go
Camden Richmond Bond Street Brixton Angel Maida Vale we say
Hoochie koochie koochie koochie hoochie koochie koo never mind
Hey everybody swings from madness into method
They are counting all the beats all of the ups and downs and overs
In this short time we have learnt this that really everybody
Pays from one day to another finds the rent and plays at lovers saying
Hoochie koochie koochie koochie hoochie koochie koo
Hoochie koochie koochie koochie hoochie koochie koo
Never mind there are structures for precision liberation common sense
Compressing time to gain momentum just like breathing effortless
So these bright labels these elections become useless as defence goodbye
Levi Yves St Laurent Fiorucci Gucci shoes they say
Hoochie koochie koochie koochie hoochie koochie koo we go
Camden Richmond Bond Street Brixton Angel Maida Vale we say
Hoochie koochie koochie koochie hoochie koochie koo
- Evaporation
Direct light - nothing we can see by
In turn we live by touch
Blind as our first moments
All white and flame
Become the darkness see too much
And what glows warm behind us
Casts a shadow limp as sleep
It goes on forever
Or it seems that way
The words unspoken the line uncrossed
Those dark eyes conceal their life within them
Buried secrets - the flesh won't keep
Only motion makes him
And he grows more still
A stronger impulse sinks more deep
And the sky grows white above us
Our love a fact
Like any other
Like a muscle pulsing in a seabird's wing
These welcoming doors close above us
- In:Amongst
(instrumental)
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Phil Hetherington
Last Modified: 28.04.05